Monika Bincsik

Diane and Arthur Abbey Associate Curator for Japanese Decorative Arts, the Metropolitan Museum of Art, New York

Monika Bincsik specializes in Japanese decorative arts and textiles. From 2008 through 2009, she was a Jane and Morgan Whitney Research Fellow at the Metropolitan Museum of Art. Later, she worked as a research assistant at Ritsumeikan University in Kyoto, where she earned a second PhD on Japanese lacquer. As an Andrew W. Mellon Curatorial Fellow at the Metropolitan Museum of Art from 2013 through 2015, she conducted research on lacquerware, textiles, ceramics, and netsuke. She was the co-curator of Kimono: A Modern History (2014) and the curator of Discovering Japanese Art: American Collectors and The Met (2015), Japanese Bamboo Art: The Abbey Collection (2017), and Kyoto: Capital of Artistic Imagination (2019). She is currently preparing an exhibition that highlights the history of kimono from the late Edo period through the 1930s. Bincsik has published numerous articles on Japanese decorative arts and collecting history. In 2018, Diane and Arthur Abbey—well-known New York collectors of Japanese bamboo art—provided a generous gift to endow a curatorship in the museum’s Department of Asian Art dedicated to Japanese decorative arts.

Cho Hyeyoung

Head curator, Tongyeong Triennale, South Korea; International Academy of Ceramics (IAC) Council member-representative for the Republic of Korea

Born in 1969 in Seoul, South Korea. Cho received a BA with Honors in ceramics from the University of the West of England, Bristol School of Art and Design (UK). She holds an MFA in ceramics from Ewha Womans University (Seoul, South Korea), where she also completed a PhD in Art Theory/Visual Arts. She has served as an international commissioner for the Gyeonggi International Ceramics Biennale (2013), a guest curator for the Fondation d’entreprise Bernardaud CCC Céramique Contemporaine Coréenne exhibition (Limoges, France, 2016), an art director for the Cheongju International Craft Biennale (South Korea, 2015), a guest curator for the special exhibition Contemporary Korean Ceramics at the Victoria and Albert Museum (UK, 2017–2018), an art director for Constancy and Change in Korean Traditional Craft at Milan Design Week (Italy, 2017), and the secretary-general for the Korea Craft and Design Foundation, an affiliate of South Korea’s Ministry of Culture, Sports and Tourism. Cho is a commissioner for the 2022 Loewe Craft Prize in South Korea.

Lin Mun-lee

Chair, National Culture and Arts Foundation; professor emeritus, National Taipei University of Education; former director, National Palace Museum

Lin Mun-lee holds a doctorate degree in education from the University of Tokyo. Lin is currently the chair of the National Culture and Arts Foundation (NCAF) and a professor emeritus at the National Taipei University of Education. She has served as the director of the Taipei Fine Arts Museum and the National Palace Museum. In addition to curating international exhibitions and directing initiatives for corporate involvement in the arts, Lin has devoted her career to the research and promotion of Taiwanese art history. In 2011, she founded the Museum of National Taipei University of Education (MoNTUE), establishing an innovative museum vision. In her role at MoNTUE, Lin continues to direct experimental and cross-disciplinary exhibitions and performing arts programs, vigorously pursuing initiatives that engage the local community.

Karasawa Masahiro

Director, National Crafts Museum

Born in 1964 in Nagoya, Aichi Prefecture. Karasawa holds a graduate degree in fine arts from the Aichi University of the Arts. After working as a curator at the Aichi Prefectural Ceramic Museum, in 2003 Karasawa accepted a post as a chief researcher for the National Museum of Modern Art, Tokyo. In 2010, he became the director of the Crafts Division. He assumed his current post in 2020. In 2018, Karasawa was awarded the 39th Koyama Fujio Memorial Prize (Merit Award). Karasawa specializes in the history of modern and contemporary ceramics. He is a member of the Japan Ceramic Society Prize award committee. Karasawa’s publications include Kamabetsu gaido Nihon no yakimono Seto [Kiln Guide, Japanese Ceramics: Seto] (Tankosha, 2002). Karasawa is a coauthor of Nihon yakimonoshi [The Concise History of Japanese Ceramics] (Bijutsu Shuppansha, 1998) and Yakimono wo shiru 12 no suteppu [Twelve Steps for Understanding Ceramics] (Tankosha, 2019). He has planned and overseen a wide variety of exhibitions including Mineo Okabe: A Retrospective (2007), About the Tea Ceremony—A Viewpoint on Contemporary Kogei (Studio Crafts) (2010), From Crafts to Kogei—In Commemoration of the 60th Japan Traditional Art Crafts Exhibition (2013), Celadon Now: Techniques and Beauty Handed Down from Southern Sung to Today (2014), Bizen: From Earth and Fire, Exquisite Forms (2019), and Modern Crafts and Tea Utensils: Furnishings in Each Season (2021).

Aoyagi Masanori

Director, Ishikawa Prefectural Museum of Art; chairman, Tama Art University; former Commissioner for Cultural Affairs

Born in 1944 in Dalian. Aoyagi specializes in the art and archaeology of ancient Rome. He has served as a professor at the University of Tokyo’s Faculty of Letters, the director of the National Museum of Western Art, and the Commissioner for Cultural Affairs. Aoyagi is currently a professor emeritus at the University of Tokyo, a professor at the Tokyo University of the Arts, a member of the Japan Academy, the director of the Yamanashi Prefectural Museum of Art, the chairman of the board of directors of Tama Art University, the director of the Archaeological Institute of Kashihara, Nara Prefecture, the Chairman of the Culture and Education Commission for the Tokyo 2020 Olympic and Paralympic Games, and the director of the Ishikawa Prefectural Museum of Art. He has been involved with the excavation of ancient Roman archaeological sites in Italy for five decades. He is a recipient of numerous domestic awards including the NHK Broadcasting Culture Award (2011), the Medal of Honor with Purple Ribbon (2006), the Order of the Sacred Treasure, Gold and Silver Star (2017), and a recognized Person of Cultural Merit (2021). Internationally, he has been recognized in Italy with the Sebetia Ter International Award (2008), the Torquato Tasso Award (2017), and the Amedeo Maiuri International Award of Archaeology (2019). He is a recipient of the Order of Merit of the Italian Republic (2002). His publications include Koteitachi no miyako Roma (Rome: The Metropolis of the Emperors), Roma teikoku (The Roman Empire), Bunka rikkokuron (Building a Nation of Culture), and Jinrui bunmei no reimei to kurekata (The Dawn and Dusk of Human Civilization).

山村慎哉

Nakagawa Mamoru

Metalsmith, Living National Treasure

Born in 1947 in Kanazawa, Ishikawa Prefecture. Nakagawa is the leading expert on Kaga metal inlay (Kaga zogan), a type of traditional decorative metalwork that utilizes engraving and chasing techniques. He was awarded the Japan Traditional Kogei Association Holder’s Prize at the Japan Traditional Kogei Exhibition in 2001 and 2003. In 2002, he received the MOA Museum of Art’s 13th Mokichi Okada Award for crafts. In 2004, Nakagawa was designated a Living National Treasure (“Holder of Important Intangible Cultural Property”) for metalwork (chokin). His work has been acquired by the Metropolitan Museum of Art (2008, 2020) and the British Museum (2010). Nakagawa is the recipient of the Medal of Honor with Purple Ribbon (2009) and the Order of the Sacred Treasure, Gold Rays with Neck Ribbon (2018). In addition to vigorously pursuing his own works, Nakagawa is committed to the education of upcoming artists, and provides instruction at institutions such as the Kanazawa Shokunin Daigakko (Kanazawa Crafts College) and the Kanazawa Utatsuyama Crafts Workshop. Nakagawa is a professor emeritus at the Kanazawa College of Art.

十一代大樋長左衛門